{"id":80,"date":"2023-11-15T00:18:14","date_gmt":"2023-11-15T00:18:14","guid":{"rendered":"https:\/\/jamesmalzahn.com\/?page_id=80"},"modified":"2026-03-26T17:54:23","modified_gmt":"2026-03-26T17:54:23","slug":"projects","status":"publish","type":"page","link":"https:\/\/jamesmalzahn.com\/index.php\/projects\/","title":{"rendered":"Projects"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Product &#8211; New Arrivals&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;#ffffff 5%|#8f8f8f 50%|#ffffff 87%&#8221; background_enable_mask_style=&#8221;on&#8221; background_mask_style=&#8221;corner-paint&#8221; background_mask_transform=&#8221;invert&#8221; background_mask_size=&#8221;cover&#8221; background_mask_blend_mode=&#8221;soft-light&#8221; width=&#8221;100%&#8221; min_height=&#8221;1579px&#8221; custom_padding=&#8221;74px|||||&#8221; saved_tabs=&#8221;all&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||20px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_heading title=&#8221;PROJECTS&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|700|||||||&#8221; title_text_align=&#8221;center&#8221; title_text_color=&#8221;#565656&#8243; title_letter_spacing=&#8221;20px&#8221; animation_style=&#8221;fade&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#9e9e9e&#8221; custom_margin=&#8221;20px||||false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;4px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||-5px||false|false&#8221; custom_padding=&#8221;|5px||40px|false|false&#8221; animation_style=&#8221;slide&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span style=\"font-size: x-large;\"><strong>The Victory Box<\/strong><\/span><\/h4>\n<h4><em>Upcoming MFA thesis exhibition<\/em><\/h4>\n<p>Summer 2026<em><\/em><\/p>\n<p><em><\/em><\/p>\n<p><strong><em>The Victory Box<\/em> is an installation that explores how surveillance, persuasion, and power become embedded in everyday life. Using the visual language of mid-century domestic culture while pointing toward contemporary technologies of monitoring, mediation, and generative machines, the work reflects on how systems of control are made to feel familiar, useful, and reassuring. The Victory Box asks what happens when trust is shaped through media, objects, and the promise of security.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/victorybox-2.jpg&#8221; title_text=&#8221;victorybox&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px|20px||0px|false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;3px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1e1e1e&#8221; custom_margin=&#8221;20px||40px||false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;4px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;|5px||40px|false|false&#8221; animation_style=&#8221;slide&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #ffffff;\">Unseen Observers<\/span><\/h2>\n<h4><span style=\"color: #ffffff;\">2019-2023<\/span><\/h4>\n<p><span style=\"color: #ffffff; font-size: 17px;\"><\/span><\/p>\n<p><span style=\"color: #ffffff;\"><em>Unseen Observers<\/em>\u00a0is a captivating collection of photos and videos captured through IP cameras from around the world during the pandemic and lockdowns. The project explores the paradox of constant surveillance in public spaces, where the cameras watch over people going about their daily routines. Despite the omnipresence of these digital eyes, the subjects appear oblivious to their existence, engrossed in the rhythm of their lives.<\/span><\/p>\n<p><span style=\"color: #ffffff;\"><span>The collection provides a global perspective, featuring scenes from diverse public spaces across different countries and cultures, united by the shared experience of the pandemic.<\/span><\/span><\/p>\n<p><span style=\"color: #ffffff;\"><\/span><\/p>\n<p><span style=\"color: #ffffff;\"><em>Unseen Observers<\/em> invites viewers to contemplate the intersection of privacy, surveillance, and the collective human experience. It prompts reflection on the subtle dance between the observed and the observer, raising questions about awareness, autonomy, and the evolving dynamics of public spaces in the digital age.<\/span><\/p>\n<p><span style=\"color: #ffffff;\"><span><\/span><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_slider _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;23px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_style=&#8221;zoom&#8221; auto=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/17a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/16a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;RGBA(255,255,255,0)&#8221; background_enable_color=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/13a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/4a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/5a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/9a.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][et_pb_slide image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/12\/1-scaled.jpg&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221;][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#545454&#8243; custom_margin=&#8221;0px||40px||false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;4px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/telescreen-2.jpg&#8221; title_text=&#8221;telescreen&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-2px|||20px|false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;3px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;|40px||5px|false|false&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #ffffff;\">How to Train Your Humans<\/span><\/h2>\n<h4><span style=\"color: #ffffff;\">2019-2024<\/span><\/h4>\n<p><span style=\"color: #ffffff; font-size: 17px;\"><\/span><\/p>\n<blockquote>\n<p><span style=\"color: #ffffff; font-size: 17px;\"><em>How to Train Your Humans<\/em>\u00a0is born from the fertile soil of Orwell&#8217;s d<\/span><span style=\"color: #ffffff; font-size: 17px;\">ystopia, transplanted into the present. It unfurls a tapestry woven from the threads of surveillance, propaganda, and the omnipresent eye of authority. In an age where information is power, the installation invites viewers to confront the manipulation of truth and the subtle erosion of personal autonomy.\u00a0 \u00a0 <\/span><span style=\"color: #41a7d3; font-size: 17px;\">More information<\/span><\/p>\n<\/blockquote>\n<blockquote><\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;1px|auto|40px|auto|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre><strong><span style=\"font-size: x-large;\">Deities &amp; Demigods<br \/><\/span><\/strong><span style=\"font-size: x-large;\">2022-2024<\/span><\/pre>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/zucker1080-1.jpg&#8221; title_text=&#8221;zucker1080&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; animation_style=&#8221;slide&#8221; border_radii=&#8221;on|15px|15px|15px|15px&#8221; border_width_all=&#8221;14px&#8221; border_style_all=&#8221;groove&#8221; box_shadow_style=&#8221;preset2&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;18px&#8221; background_enable_color=&#8221;off&#8221; animation_style=&#8221;slide&#8221; border_radii=&#8221;on|15px|15px|15px|15px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong><span style=\"color: #3d3d3d;\">Rooted in a historical narrative, this collection of paintings offers insights into a chapter of the Cold War era. By incorporating portraits of social media directors, <em>Deities &amp; Demigods<\/em>\u00a0deepens the viewer&#8217;s understanding of the ongoing dance between power, art, and the ever-evolving landscape of propaganda.<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #3d3d3d;\"><i>Deities &amp; Demigods <\/i>stands as both a visual exploration and a critical reflection, inviting viewers to question the dynamic relationship between art, politics, and the shaping of public opinion.<\/span><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;100px&#8221; max_height=&#8221;100px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre><\/pre>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;802.7px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/faces1uv-1.jpg&#8221; title_text=&#8221;faces1uv&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; animation_style=&#8221;slide&#8221; border_radii=&#8221;on|15px|15px|15px|15px&#8221; border_width_all=&#8221;15px&#8221; border_style_all=&#8221;groove&#8221; box_shadow_style=&#8221;preset2&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>UV Portraits<\/strong><br \/><em>2023<\/em><br \/>Silkscreen on canvas and paper, phosphorescent pigments, UV lighting.<\/h3>\n<h4>&#8220;UV Portraits&#8221; is a thought-provoking series that examines the dynamics of identity and visibility in the age of social media and algorithms. Each portrait is created using phosphorescent pigments that remain hidden until illuminated by UV light, mirroring the unseen mechanisms of algorithms that dictate what is visible or concealed in digital spaces. This duality challenges viewers to reflect on how social media shapes perceptions of identity and privacy, as well as the hidden forces that influence what we see and how we are seen. By connecting the personal and the digital, &#8220;UV Portraits&#8221; offers a powerful commentary on the fragility of human presence in an algorithm-driven world.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1e1e1e&#8221; custom_margin=&#8221;20px||||false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;4px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;|5px||40px|false|false&#8221; animation_style=&#8221;slide&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #ffffff;\">How to Clear Your Browser History<span style=\"font-size: 17px;\"><\/span><\/span><\/h2>\n<h4><span style=\"color: #ffffff;\">2019<\/span><\/h4>\n<p><span style=\"color: #ffffff; font-size: 17px;\"><\/span><\/p>\n<p><span style=\"color: #ffffff;\">A bold and immersive project that serves as a poignant critique of mass surveillance, particularly inspired by the NSA and GCHQ&#8217;s program, Optic Nerve. The project delves into the invasive nature of surveillance technologies, specifically the recording of public and private chatroom communications, including images and transcripts, to construct a facial recognition database. Through a meticulous and thought-provoking process, the artist silently monitored public chatrooms, capturing the essence of online interactions, and then translated this data into a multisensory gallery experience.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/browserAniGif.gif&#8221; title_text=&#8221;browserAniGif&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; width=&#8221;95.9%&#8221; min_height=&#8221;268.3px&#8221; custom_margin=&#8221;0px|20px|38px|0px|false|false&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; border_width_all=&#8221;3px&#8221; border_color_all=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Products&#8221; _builder_version=&#8221;4.23&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;gcid-369d6a5c-948a-46a7-83c8-2ed935036bdf&#8221; min_height=&#8221;798.5px&#8221; animation_style=&#8221;fade&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{%22gcid-369d6a5c-948a-46a7-83c8-2ed935036bdf%22:%91%22background_color%22%93}&#8221;][et_pb_row _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; header_2_text_color=&#8221;#FFFFFF&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: center;\">Exhibition Highlights<\/h2>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.4&#8243; 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hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_slide heading=&#8221;How To Clear Your Browser History&#8221; button_text=&#8221;Click Here&#8221; button_link=&#8221;https:\/\/jamesmalzahn.com\/index.php\/projects\/how-to-clear-your-browser-history\/&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; link_option_url_new_window=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23&#8243; _module_preset=&#8221;default&#8221; transform_translate=&#8221;0px|-20px&#8221; min_height=&#8221;137.6px&#8221; custom_padding=&#8221;||26px|||&#8221; border_radii=&#8221;on|20px|20px|20px|20px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_slider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_direction=&#8221;144deg&#8221; background_color_gradient_stops=&#8221;rgba(0,0,0,0.66) 23%|#ffffff 99%&#8221; background_image=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/entry.jpg&#8221; background_blend=&#8221;multiply&#8221; background_enable_pattern_style=&#8221;on&#8221; background_pattern_style=&#8221;diagonal-stripes-2&#8243; animation_style=&#8221;fade&#8221; link_option_url_new_window=&#8221;on&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_slide heading=&#8221;Privacy Forboden&#8221; button_text=&#8221;Click Here&#8221; button_link=&#8221;https:\/\/jamesmalzahn.com\/index.php\/340-2\/&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_transition=&#8221;on&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Products&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;#b3b3b3 1%|#ffffff 90%|#ffffff 100%&#8221; background_enable_mask_style=&#8221;on&#8221; background_mask_style=&#8221;paint&#8221; background_mask_transform=&#8221;flip_horizontal|invert&#8221; background_mask_size=&#8221;contain&#8221; background_mask_position=&#8221;top_left&#8221; background_mask_horizontal_offset=&#8221;57%&#8221; background_mask_blend_mode=&#8221;soft-light&#8221; custom_padding=&#8221;68px|||||&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_color_all=&#8221;#FFFFFF&#8221; border_width_bottom=&#8221;5px&#8221; border_color_bottom=&#8221;rgba(255,255,255,0.22)&#8221; global_colors_info=&#8221;{}&#8221; custom_padding=&#8221;27px|||||&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/02-1.jpg&#8221; title_text=&#8221;unselected801142832&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;|40px||5px|false|false&#8221; animation_style=&#8221;slide&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2><span style=\"color: #ffffff;\">Key Holders<span style=\"font-size: 17px;\"><\/span><\/span><\/h2>\n<h4><span style=\"color: #ffffff;\">2017<\/span><\/h4>\n<p><span style=\"color: #ffffff; font-size: 17px;\"><\/span><\/p>\n<div class=\"et_pb_text_inner\">\n<div data-shortcode-id=\"2.1.1.0-1702324568478\" data-quickaccess-editable=\"yes\" class=\"et-fb-popover-tinymce\">\n<div class=\"mce-content-body\" contenteditable=\"true\" style=\"position: relative;\">\n<p><strong><span style=\"font-size: large; color: #ffffff;\"><em>Key Holders<\/em> is a silkscreen that explores secrecy, surveillance, and the concentration of unseen power. Focusing on the shadowed leaders of the Five Eyes intelligence alliance, the work presents them as symbolic custodians of hidden systems and restricted knowledge. Bright colour and embedded coded language draw the viewer in, while the image withholds complete clarity. In doing so, the piece reflects on what remains concealed within modern surveillance culture and on those who control access to its hidden mechanisms.<\/span><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre><strong><span style=\"font-size: x-large;\">The Unselected<br \/><\/span><\/strong><span style=\"font-size: x-large;\">2016<\/span>\u00a0<\/pre>\n<p><strong><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/unselected801142832.jpg&#8221; title_text=&#8221;unselected801142832&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/unselected4.jpg&#8221; title_text=&#8221;unselected801142832&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/unselected3.jpg&#8221; title_text=&#8221;unselected801142832&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/unselected2-1.jpg&#8221; title_text=&#8221;unselected801142832&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_width_bottom=&#8221;5px&#8221; border_color_bottom=&#8221;rgba(0,0,0,0.24)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong><span style=\"font-size: large;\"><em>The Unselected<\/em> carries a profound message\u2014the notion that online communications, often considered ephemeral, leave lasting echoes. By producing silkscreened copies of these digital existences onto tangible paper, the project underscores the permanence of online footprints.<\/span><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre><strong><span style=\"font-size: x-large;\">Micro-Utopia<br \/><\/span><\/strong><span style=\"font-size: x-large;\">2016<\/span>\u00a0<\/pre>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/1983.jpg&#8221; title_text=&#8221;1983&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/1984.jpg&#8221; title_text=&#8221;1984&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/1990.jpg&#8221; title_text=&#8221;1990&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/1982.jpg&#8221; title_text=&#8221;1982&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/Unselected_801142836-1.jpg&#8221; title_text=&#8221;Unselected_#801142836&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/Unselected_801142825.jpg&#8221; title_text=&#8221;Unselected_#801142825&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/Unselected_801142826.jpg&#8221; title_text=&#8221;Unselected_#801142826&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/Unselected_801142827.jpg&#8221; title_text=&#8221;Unselected_#801142827&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; border_width_bottom=&#8221;5px&#8221; border_color_bottom=&#8221;rgba(0,0,0,0.33)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong><em>Micro-Utopia<\/em> is a photographic project that examines and juxtaposes early personal microcomputers with contemporary video chatroom screen captures, reflecting on the evolution of technology and the diminishing boundaries between public and private spheres. It explores the loss of privacy amid government-run online surveillance, inviting viewers to contemplate the shifting dynamics of human-machine interaction.<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;63986d44-ac07-4e84-a584-2fe5f88f5b5f&#8221; min_height=&#8221;41.6px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<pre><strong><span style=\"font-size: x-large;\">Glitched Perceptions <br \/><\/span><\/strong><span style=\"font-size: x-large;\">2015<\/span><\/pre>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/guns-2.jpg&#8221; title_text=&#8221;guns&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/cross-1.jpg&#8221; title_text=&#8221;cross&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/vaccine-1.jpg&#8221; title_text=&#8221;vaccine&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/jamesmalzahn.com\/wp-content\/uploads\/2023\/11\/games-1.jpg&#8221; title_text=&#8221;games&#8221; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.23.1&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;17px&#8221; custom_margin=&#8221;0px||||false|false&#8221; animation_style=&#8221;slide&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>At first glance, the objects portrayed in <em>Glitched Perceptions<\/em> appear distorted, reflecting the inherent challenges in forming clear and unbiased visual perceptions. The distortions are not a mere result of visual anomalies but are intricately tied to the experiential data that shapes our initial interactions with the world. This deliberate distortion serves as a metaphor for the nuanced nature of human experience, where our preconceptions and biases influence the way we perceive the visual data presented to us.<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Victory Box Upcoming MFA thesis exhibition Summer 2026 The Victory Box is an installation that explores how surveillance, persuasion, and power become embedded in everyday life. Using the visual language of mid-century domestic culture while pointing toward contemporary technologies of monitoring, mediation, and generative machines, the work reflects on how systems of control are [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-80","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/pages\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":94,"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/pages\/80\/revisions"}],"predecessor-version":[{"id":778,"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/pages\/80\/revisions\/778"}],"wp:attachment":[{"href":"https:\/\/jamesmalzahn.com\/index.php\/wp-json\/wp\/v2\/media?parent=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}