PROJECTS
The Victory Box
Upcoming MFA thesis exhibition
Summer 2026
The Victory Box is an installation that explores how surveillance, persuasion, and power become embedded in everyday life. Using the visual language of mid-century domestic culture while pointing toward contemporary technologies of monitoring, mediation, and generative machines, the work reflects on how systems of control are made to feel familiar, useful, and reassuring. The Victory Box asks what happens when trust is shaped through media, objects, and the promise of security.
Unseen Observers
2019-2023
Unseen Observers is a captivating collection of photos and videos captured through IP cameras from around the world during the pandemic and lockdowns. The project explores the paradox of constant surveillance in public spaces, where the cameras watch over people going about their daily routines. Despite the omnipresence of these digital eyes, the subjects appear oblivious to their existence, engrossed in the rhythm of their lives.
The collection provides a global perspective, featuring scenes from diverse public spaces across different countries and cultures, united by the shared experience of the pandemic.
Unseen Observers invites viewers to contemplate the intersection of privacy, surveillance, and the collective human experience. It prompts reflection on the subtle dance between the observed and the observer, raising questions about awareness, autonomy, and the evolving dynamics of public spaces in the digital age.
How to Train Your Humans
2019-2024
How to Train Your Humans is born from the fertile soil of Orwell’s dystopia, transplanted into the present. It unfurls a tapestry woven from the threads of surveillance, propaganda, and the omnipresent eye of authority. In an age where information is power, the installation invites viewers to confront the manipulation of truth and the subtle erosion of personal autonomy. More information
Deities & Demigods
2022-2024
Rooted in a historical narrative, this collection of paintings offers insights into a chapter of the Cold War era. By incorporating portraits of social media directors, Deities & Demigods deepens the viewer’s understanding of the ongoing dance between power, art, and the ever-evolving landscape of propaganda.
Deities & Demigods stands as both a visual exploration and a critical reflection, inviting viewers to question the dynamic relationship between art, politics, and the shaping of public opinion.
UV Portraits
2023
Silkscreen on canvas and paper, phosphorescent pigments, UV lighting.
“UV Portraits” is a thought-provoking series that examines the dynamics of identity and visibility in the age of social media and algorithms. Each portrait is created using phosphorescent pigments that remain hidden until illuminated by UV light, mirroring the unseen mechanisms of algorithms that dictate what is visible or concealed in digital spaces. This duality challenges viewers to reflect on how social media shapes perceptions of identity and privacy, as well as the hidden forces that influence what we see and how we are seen. By connecting the personal and the digital, “UV Portraits” offers a powerful commentary on the fragility of human presence in an algorithm-driven world.
How to Clear Your Browser History
2019
A bold and immersive project that serves as a poignant critique of mass surveillance, particularly inspired by the NSA and GCHQ’s program, Optic Nerve. The project delves into the invasive nature of surveillance technologies, specifically the recording of public and private chatroom communications, including images and transcripts, to construct a facial recognition database. Through a meticulous and thought-provoking process, the artist silently monitored public chatrooms, capturing the essence of online interactions, and then translated this data into a multisensory gallery experience.
Exhibition Highlights
Key Holders
2017
Key Holders is a silkscreen that explores secrecy, surveillance, and the concentration of unseen power. Focusing on the shadowed leaders of the Five Eyes intelligence alliance, the work presents them as symbolic custodians of hidden systems and restricted knowledge. Bright colour and embedded coded language draw the viewer in, while the image withholds complete clarity. In doing so, the piece reflects on what remains concealed within modern surveillance culture and on those who control access to its hidden mechanisms.
The Unselected
2016
The Unselected carries a profound message—the notion that online communications, often considered ephemeral, leave lasting echoes. By producing silkscreened copies of these digital existences onto tangible paper, the project underscores the permanence of online footprints.
Micro-Utopia
2016
Micro-Utopia is a photographic project that examines and juxtaposes early personal microcomputers with contemporary video chatroom screen captures, reflecting on the evolution of technology and the diminishing boundaries between public and private spheres. It explores the loss of privacy amid government-run online surveillance, inviting viewers to contemplate the shifting dynamics of human-machine interaction.
Glitched Perceptions
2015
At first glance, the objects portrayed in Glitched Perceptions appear distorted, reflecting the inherent challenges in forming clear and unbiased visual perceptions. The distortions are not a mere result of visual anomalies but are intricately tied to the experiential data that shapes our initial interactions with the world. This deliberate distortion serves as a metaphor for the nuanced nature of human experience, where our preconceptions and biases influence the way we perceive the visual data presented to us.