Surveillance-like image of industrial machinery from Perceptual Dissonance
Interdisciplinary artist · Kitchener-Waterloo, Canada

James
Malzahn

Interdisciplinary artist working across installation, painting, drawing, photography, moving image, sound, interactive systems, and artificial intelligence.

The practice moves between technological critique and creative experimentation, examining how machines shape perception, privacy, memory, authorship, and power.

Practice

One body of work across physical and computational media.

I build artworks that examine how technology changes perception, privacy, memory, and power. Some works expose surveillance and propaganda; others treat artificial intelligence as a collaborator in drawing, sound, image-making, and speculative systems. Across physical and digital media, the practice moves between critique and experimentation, asking how machines shape what we see, believe, and become.

The work ranges from early photographic and print projects to immersive surveillance installations, painted portraits, interactive browser systems, generated documentary, sound, and hand-rendered collaborations with AI.

Current directions

Studio practice, systems, and browser-based work.

Current work includes human-machine portraiture, live and synthetic surveillance streams, and browser-based systems that infer identity from small acts of participation.

Perceptual Dissonance Lucid Cybernauts

Recent activity
2026MFA completed, University of WaterlooThe Victory Box thesis exhibition was presented at the University of Waterloo Art Gallery, May 14-30, 2026.