The Victory Box installation
A reconstructed Cold War domestic device that uses AI, surveillance, propaganda, and parafiction to place viewers inside a persuasive narrative engine.

Interdisciplinary artist working across installation, painting, drawing, photography, moving image, sound, interactive systems, and artificial intelligence.
The practice moves between technological critique and creative experimentation, examining how machines shape perception, privacy, memory, authorship, and power.
A reconstructed Cold War domestic device that uses AI, surveillance, propaganda, and parafiction to place viewers inside a persuasive narrative engine.
Browser-based net art about consent, behavioural identity, and machine judgement.
Charcoal, sound, and human-machine co-authorship through a sustained AI collaboration.
I build artworks that examine how technology changes perception, privacy, memory, and power. Some works expose surveillance and propaganda; others treat artificial intelligence as a collaborator in drawing, sound, image-making, and speculative systems. Across physical and digital media, the practice moves between critique and experimentation, asking how machines shape what we see, believe, and become.
The work ranges from early photographic and print projects to immersive surveillance installations, painted portraits, interactive browser systems, generated documentary, sound, and hand-rendered collaborations with AI.

A parafictional Cold War surveillance system built from a physical device, an AI-generated documentary, a synthetic archive, and a live monitoring apparatus.
View project
A series of framed charcoal portraits and directional sound works developed through an iterative collaboration between a human artist and an AI collaborator.
View project
Live network-camera streams and AI-generated imitations merge into an unstable broadcast in which the viewer cannot reliably separate observation from fabrication.
View project
A global collection of images gathered from publicly accessible network cameras during the pandemic and its aftermath.
View project
An immersive response to mass surveillance, public video chat, facial recognition, and the persistence of supposedly ephemeral online communication.
View project
Deliberately corrupted images examine how expectation, bias, and prior experience shape what appears visually coherent.
View projectCurrent work includes human-machine portraiture, live and synthetic surveillance streams, and browser-based systems that infer identity from small acts of participation.