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Glitched monochrome portrait derived from a public video chatroom
2016-2018 · Projects · Photography · Surveillance

The Unselected

Public video-chat encounters are disrupted, printed, and preserved, exposing the persistence of images that participants may have experienced as temporary.

Year2016-2018
MediumSilkscreen and photographic image transfer derived from public video chatrooms
Exhibition / statusPresented in the solo exhibition The Unselected of the Pinwale, Gallery C103, Winnipeg, Manitoba, 2018.
Overview

The Unselected began with screen captures from public video chatrooms. The images were deliberately disrupted and translated into physical prints, retaining timestamps, fragments, compression artifacts, and unstable identities. What appeared fleeting online became durable matter. The project is a critique of the GCHQ Optic Nerve program.

The persistence of the supposedly temporary

The project focuses on communications that users often experience as transient. By printing them, the work emphasizes how networked images can be copied, classified, and retained beyond the moment in which they were made.

The title "Unselected" refers to the term used by intelligence agencies for bulk and untargeted data collection. This is the tactic used in Optic Nerve, where GCHQ captured images of people in private Yahoo chatrooms to build a facial recognition database.